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"Me and my brother together used to eat 'aalu parathas' with lots of desi ghee which mom used to made," Mallika said in a statement. Now that the actress has turned vegan, she can't eath aalu parathas.

On the occasion of Mother's Day May 13, she will share all this and more through her voice blog, which will go live Sunday. She also talked about love, mischief, festivals and much more.

Mallika, who started her acting career with "Khwahish", was last seen in "Double Dhamaal". She also featured in international films like "The Myth" and "Politics of Love".

Fans can listen to Mallika narrating her life's interesting moments by dialling 5789 from their mobiles.

Charlie Chaplin once said, 'All I need to make a comedy is a park, a policeman and a pretty girl.' Debutante feature film director Ashvin Kumar applies the same principle for a horror film, replacing the park with a forest and throwing in the woman's husband, a policeman's son, and a guard, and binds them all with a man-eating leopard.

Though 'The Forest' is full of cliches of its genre, there are elements that one can really cheer for in this low-budget, independent film.

A couple, Radhan (Nandana Sen) and Pritam (Ankur Vikal), come to a jungle resort in the Kumau Valley. Here they find an old friend Abhishek (Jaaved Jaaferi), who is a cop in the region and lives with his son. As they frolic around the forest, trying to sort dormant issues between one another, a man-eating leopard is readying for the kill.

In the 1952 film 'The Bad And The Beautiful' directed by Vincente Minnelli, filmmakers realised that what actually scares people in a horror film is not horrible creatures, but the fear of something lurking in the dark. Horror lies not in what is visible, but in that which is not and the fear of what it can do to you.

That is exactly what Kumar does to good effect, using shadows and sounds instead of the actual leopard who barely occupies five minutes of screen time.

The cinematography of the film, especially the shots of the jungle taken by Naresh and Rajesh Bedi, is breathtaking. And the actors do a fairly good job of what they are offered.

Yet, there's hardly anything that comes as a surprise as the film panders to known cliches of the horror and thriller genre. Thus, the leopard becomes only secondary to the horror the characters' own inner selves, struggling against themselves and those closest to them. That this is not done in an overbearing manner makes one comfortable in the cliches.

The major drawbacks of the film are the many lapses in writing, which forgets to close some loopholes or better explain others.

There is a track of an ash-wearing mysterious woman which does not find a logical conclusion. There's even a scene where Radha sees the reflection of a woman in the mirror. The scene, it seems, was added just to lend more chill to the film and like a few other scenes, seems completely disjointed from the story.

The leopard is shown to be swift and powerful enough to just carry off people magically. Agreed that these mythical elements were required to build the leopard's character, but a little more attention to detail like the addition of sound of being pulled in the gap during the person's disappearance would have made it that much more believable.

The point of view of the leopard is also done very badly. One of the reasons that makes the leopard so deadly is his sight which is sharper than that of humans. To show his vision to be hazy does not make sense.

The typical ending would have been where some or all of the humans, and definitely the terrorising animal, die. Though there is death, the ending is sensitive and original as the writer-director does something unexpected yet believable. This shows the sensitive side of the film whose intention is not just to thrill, but also raise issues of conservation.

Only Darren Bravo with 51, in what was the West Indies first full innings on tour as a mere 34 overs were possible in last week's rain-marred match against Sussex, prevented an even greater collapse at Northampton.

As it was Northamptonshire's Jack Brooks, a self-confessed "glorified club cricketer" made use of the damp seam and swing-friendly conditions to take three for 23 on his home ground, with Surrey's Stuart Meaker taking three for 42 including a spell of three wickets in 15 balls.

For Brooks it was just the latest chapter in a remarkable tale that only a few years ago still saw him playing village cricket.

"I played village cricket till I was 20 or 21," he said. "I just wasn't very good when I was younger.

"I'm still a glorified club cricketer now. But I've worked really hard on my game and my fitness over the years - with a few gentle pushes along the way from coaches over the years, who've told me to start believing in my ability."

There was surprise even before the four-day match began when West Indies captain Darren Sammy was rested by the tourists.

James Taylor, skipper of the second-string Lions, won the toss from Windies vice-captain Kirk Edwards and had no hesitation in asking the tourists to bat in their final match before next week's first of a three-Test series.

Opener Adrian Barath and Edwards, out for nought, both fell cheaply to the 27-year-old Brooks, who only made his first-class debut three years ago, and even star batsman Shivnarine Chanderpaul (six) fell cheaply when he miscued a hook off change seamer Matt Coles and was caught on the leg-side.

Bravo played some typically stylish shots as he strove to turn the tide but no sooner had he completed an 86-ball fifty featuring nine fours then he pulled Meaker to mid-on.

Marlon Samuels, whose 32 was the only other West Indies score of note, followed soon afterwards when he was caught behind off Meaker.

There was still time before stumps for Lions opener Joe Root to be lbw to one that kept low from fast bowler Fidel Edwards.

But Michael Carberry (15 not out) and the in-form Nick Compton (18 not out) saw the Lions to 40 for one at stumps.